Popular Algiers Books

13+ [Hand Picked] Popular Books On Algiers

3.8/5

The Stranger by Albert Camus , Matthew Ward (Translator)

Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in English in 1946; now in a new translation by Matthew Ward.

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4/5

The Plague by Albert Camus , Stuart Gilbert (Translator) , Olga Mărculescu (Translator)

A gripping tale of human unrelieved horror, of survival and resilience, and of the ways in which humankind confronts death, The Plague is at once a masterfully crafted novel, eloquently understated and epic in scope, and a parable of ageless moral resonance, profoundly relevant to our times. In Oran, a coastal town in North Africa, the plague begins as a series of portents A gripping tale of human unrelieved horror, of survival and resilience, and of the ways in which humankind confronts death, The Plague is at once a masterfully crafted novel, eloquently understated and epic in scope, and a parable of ageless moral resonance, profoundly relevant to our times. In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

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3.8/5

Tomboy by Nina Bouraoui , Jehanne-Marie Gavarini (Translation) , Marjorie Attignol Salvodon (Translation)

How do you live in Algeria when you grow up speaking French, with a French mother? How do you live in France when you’ve spent your childhood in Algeria with an Algerian father? Tomboy is the story of a girl whose father calls her Brio, whose alter ego is Amine, and whose mother is a blue-eyed blond. But who is she? Born five years after Algerian independence in 1967, she How do you live in Algeria when you grow up speaking French, with a French mother? How do you live in France when you’ve spent your childhood in Algeria with an Algerian father? Tomboy is the story of a girl whose father calls her Brio, whose alter ego is Amine, and whose mother is a blue-eyed blond. But who is she? Born five years after Algerian independence in 1967, she navigates the cultural, emotional, and linguistic boundaries of identity living in a world that doesn’t seem to recognize her. In this semiautobiographical novel, the young French Algerian author Nina Bouraoui introduces us to a girl who feels that Algeria is the country of men. Her childhood years spent in Algeria lead her to explore the borderland between genders as she tries to find her balance between nations, races, and identities. With prose modeling the rhythm of the seasons and the sea, Tomboy enters the innermost reality of a life lived on the edge of several cultures.

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4.9/5

Ironfire by David Ball

From the acclaimed author of Empires of Sand comes a mesmerizing new adventure that Jean Auel cites as “crowded with events that both forecast and mirror the conflicts of today.” Sweeping from the drawing rooms of Paris to the palace of Suleiman the Magnificent to the dark hold of a slave ship racing across the sea, here is a dazzling story of love and valor, innocence and From the acclaimed author of Empires of Sand comes a mesmerizing new adventure that Jean Auel cites as “crowded with events that both forecast and mirror the conflicts of today.” Sweeping from the drawing rooms of Paris to the palace of Suleiman the Magnificent to the dark hold of a slave ship racing across the sea, here is a dazzling story of love and valor, innocence and identity, an epic novel of the clash of civilizations on a barren island where the future was forged. The Mediterranean, the sixteenth century: Lying squarely in the midst of the vital sea lanes between the Christian West and the Ottoman Empire in the East, and ruled by the ancient Order of the Knights of St. John, Malta will become the stage upon which the fate of the world turns. For one of its sons, the hand of violence strikes swiftly, when young Nicolo Borg is seized by Barbary slavers and launched on a remarkable journey to the court of the supreme ruler of the Muslim world. Renamed Asha, plotting his escape even as he swears allegiance to the god of his masters and is schooled in the arts of culture and war, the innocent boy will be transformed into one of the Sultan’s deadliest commanders. For Nico’s beloved sister, Maria, his loss fires her hatred for the knights who did nothing to save him and her dreams of escape from her stifling home. As the headstrong girl grows into a fierce beauty, she will capture the attention of one man in particular, Christien de Vries, a surgeon-knight torn between duty and desire, caught up in Malta’s frantic preparations against the coming Ottoman storm. Around Nico and Maria are men and women who will share their destinies: Dragut Raïs, a brilliant corsair, arch-rival of the knights…Giulio Salvago, a priest in full flight from his carnal nature…Alisa, a young beauty hidden away in a harem…Jean de La Valette, the master knight who is Malta’s only hope for survival. As the mighty Ottoman fleet bears down on the tiny island, as Nico Borg makes his way back to his homeland at the helm of a warship, Ironfire moves inexorably to a shattering climax where all will face ultimate justice in the murderous cauldron of siege warfare. Brilliantly capturing the crosscurrents of a storied age, Ironfire is historical fiction in the grand tradition, a stirring realization of a pivotal moment in time that irrevocably shaped the world we inhabit today.

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4.3/5

My Battle of Algiers: A Memoir by Ted Morgan

In My Battle of Algiers, an eminent historian and biographer recounts his own experiences in the savage Algerian War, an event all too reminiscent of America's present difficulties in Iraq. Ted Morgan recalls a war that we would do well not to forget. A Yale graduate who had grown up in both France and America -- he was then known as Sanche de Gramont and was then a French In My Battle of Algiers, an eminent historian and biographer recounts his own experiences in the savage Algerian War, an event all too reminiscent of America's present difficulties in Iraq. Ted Morgan recalls a war that we would do well not to forget. A Yale graduate who had grown up in both France and America -- he was then known as Sanche de Gramont and was then a French citizen -- he was drafted into the French Army and served in Algeria 1956 and '57. In this memoir, Morgan relives the harrowing conflict in which every Arab was considered a terrorist -- and increasingly, many were. As a newly minted second lieutenant, he spends months in the back country -- the bled -- where everyone, including himself, becomes involved in unimaginable barbarities. "You cannot fight a guerrilla war with humanitarian principles," a superior officer tells Morgan early on. He beats up and kills a prisoner who won't talk and may have been responsible for the death of a friend. He kills another man in a firefight. He sees men die in encounters too small to be recorded, ones that his fellow soldiers quickly forget. For Morgan, the memories will never go away. Later, in Algiers, Morgan's journalistic experience -- he had spent all of four months as a reporter on the Worcester, MA, Telegram -- gets him a job writing for an official newspaper. He lives through the day-to-day struggle to put down an Arab urban insurgency, the first in modern history, with its unrelenting menu of bombings, assassinations, torture, show trials, executions, and the deliberate humiliation of prisoners. He misses death when a beach casino explodes just as he is going in for lunch. He becomes disillusioned with the war and what it is doing to his country. He is himself arrested, but not for the real offense he committed, helping a deserter to escape. Though the events Ted Morgan describes so vividly happened nearly half a century ago in Algiers, they might as well have taken place in Baghdad today.

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4.8/5

The Majors by W.E.B. Griffin

Dien Bien Phu. Saigon. Hanoi. In 1954, they were only exotic names from a French campaign halfway around the world. But now American fighting men--proven on the bloody beaches of Normandy and in the minefields of Korea--are summoned to help beat back the guerilla forces of Ho Chi Minh. To some, the "secret" war in Indochina was the depth of folly. To others, like the Major Dien Bien Phu. Saigon. Hanoi. In 1954, they were only exotic names from a French campaign halfway around the world. But now American fighting men--proven on the bloody beaches of Normandy and in the minefields of Korea--are summoned to help beat back the guerilla forces of Ho Chi Minh. To some, the "secret" war in Indochina was the depth of folly. To others, like the Majors, it pointed to the heights of glory...

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4.9/5

The Last Life by Claire Messud

Remembrance of Things Past "I find myself wanting to translate the world inside..." Sagesse LaBasse, the teenage protagonist of Claire Messud's The Last Life, lives in a fragile world held together by the secrets of its past. Her family owns the Hotel Bellevue, a summer retreat for the well-to-do, set on the cliffs of southern France; the view is back toward Algeria, which h Remembrance of Things Past "I find myself wanting to translate the world inside..." Sagesse LaBasse, the teenage protagonist of Claire Messud's The Last Life, lives in a fragile world held together by the secrets of its past. Her family owns the Hotel Bellevue, a summer retreat for the well-to-do, set on the cliffs of southern France; the view is back toward Algeria, which her paternal grandparents fled during its struggle for independence from France. As her grandmother laments, "Every morning, I wake up and look out my window at the Mediterranean sea, vast and creeping, and I smell the pines and the heat on the breeze, rising up the clifftop, and I'm in Algiers again. I live, still, in my heart, in Algeria." The loss of their homeland is always present to the LaBasses, and the consequent search for identity both reflects and compounds other difficulties. Sagesse's father ("fleshy, ingratiating, explosive") languishes under his own father's control, and is often unfaithful to Sagesse's mother, an American who tries to pass as French. Meanwhile, their young son, Etienne, is so severely mentally and physically impaired that his birth is likened to "the clanging of their prison door." Sagesse's grandmother looks on with cool resignation, and her grandfather, the family's hot-headed patriarch, will let no one rest. When, late one night, the old man fires his rifle into a group of children swimming at the hotel's pool, no one is seriously injured, but the family's livelihood is put at risk, and long-simmering resentments find an outlet. Sagesse is the perfect narrator for this fractured situation. She is neither French, nor American; not a girl, yet not quite a woman. Her grandfather's rash act causes her to lose her friends at school, and she is forced to "seek out the very pot-smokers I had...readily disparaged little over a month before." These new friends, upon realizing her family's past (having been French colonists, they are suspected of being racists, and members of the National Front) and relative wealth, also abandon her. With guests trickling away from the hotel, and tensions rising within the LaBasse family, Sagesse tries to understand what remains, and what place there might be for her. Fortunately, while her life may be painful, she never finds it dull. Sagesse's language is rich and evocative, full of descriptive power. Here, for example, she witnesses the market: "There were vegetable men and fruit women and stalls selling both, blushing mounds of peaches alongside plump and purple eggplants...pale, splayed organs of fennel pressing their ridged tubes and feathered ends up against the sugar-speckled, wrinkled carcasses of North African dates...the fishmongers sold their bullet-eyed, silver-skinned, slippery catch, blood-streaked fillets and orbed, scored steaks, milky scallops and encrusted oysters...." And here, a painting of the Bay of Algiers: "its apron of azure sea, erratically white-capped, broken by the sandstone finger of the port...the white rise of the city, a thousand precise terraces and roofs climbing into the sunlit sky, the European curlicues and the higgledy-piggledy casbah, all their outlines drawn as if with a single hair, interspersed with delicate little palms and cypresses and other trees of variegated greens, and with broad, brown avenues like branches." A brilliant, complex world is formed by the accretion of these images, and they are juxtaposed and spur each other seamlessly, multiplying atmosphere and complicating plot lines. While most of the novel's events take place around 1990, Sagesse tells of them from a time almost a decade later (when she is a graduate student of the "history of ideas" at Columbia). This frame, constructed of occasional asides and short passages, allows a fluidity where revelations from the past and future cause momentum to shift and whirl -- the dead rise, their movements sharper and words more portentous with the reader's knowledge of coming tragedy. This later perspective also enables Sagesse to add deft hints and wise commentary. Looking back on herself, for instance, she says, "Children do not have words to ask and so do not imagine asking; not asking and not imagining, they eradicate distance: they take for granted that everything, someday, will be understood." The Last Life stands as a testament to reflection, to making sense of an unruly past. It is also a kind of autobiography, an attempt to constitute an identity. In its ebb and flow of images, action, and ideas, the narrative deals so well with this attempt, implicitly, that it's unfortunate that it must also be treated explicitly. Frequent asides concerning identity and the nature of the self ("the one thing that would not leave me: the only and inadequate definition of my 'I.'") seem unnecessary; they lure Sagesse into self-dramatization, and contain the novel's most uneven prose. Some readers may find that such self-analysis helps characterize the narrator, but it's difficult to believe the story wouldn't be stronger without it. Still, the novel's concern with such weighty questions is representative of its, and Sagesse's, fearlessness. As she seeks the truth about her family and herself, she also reflects on politics and race, dreaming of a "Mediterranean culture democratic and polyphonous" while simultaneously acknowledging its impossibility. This seeming contradiction must be borne, she learns, since to blindly accept what has happened is to forget alternatives and to repeat mistakes. "I live as if this might-have-been existed," she writes, "shimmering in the imaginary; and if it is but an 'as if,' I have learned, then it is none the less real for that." The Last Life ultimately concerns itself with questions of fate and self-determination. In a world of disasters, Sagesse wonders if and how they might have been avoided: "The abiding question...was it fate? Is our ending inscribed in our beginning -- and, if so, in whose beginning?" The "obvious answer," she says, is that we cannot escape our fate, that our choices are illusory. The richness found in her story, however, suggests the less obvious answer -- that we might affect our fate, and better confront the present and future, if we work to come to an understanding with our past.

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4.5/5

The Snow Kimono by Mark Henshaw

On the same day that retired police inspector Auguste Jovert receives a letter from a woman claiming to be his daughter, he returns to his Paris apartment to find a stranger waiting for him. That stranger is a Japanese professor called Tadashi Omura. What's brought him to Jovert's doorstep is not clear, but then he begins to tell his story - a story of a fractured friendshi On the same day that retired police inspector Auguste Jovert receives a letter from a woman claiming to be his daughter, he returns to his Paris apartment to find a stranger waiting for him. That stranger is a Japanese professor called Tadashi Omura. What's brought him to Jovert's doorstep is not clear, but then he begins to tell his story - a story of a fractured friendship, lost lovers, orphaned children, and a body left bleeding in the snow. As Jovert pieces together the puzzle of Omura's life, he can't help but draw parallels with his own; for he too has lead a life that's been extraordinary and dangerous - and based upon a lie.

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4.4/5

Flood Tide by Clive Cussler

Following the runaway success of his first nonfiction book, The Sea Hunters, Clive Cussler returns with his legendary fictional hero Dirk Pitt" - in a masterfully crafted tale of villainy on the high seas and the Mississippi River that can only enhance his status as the grand master of adventure fiction. The coin of the realm for the wealthy, insatiably greedy Chinese smug Following the runaway success of his first nonfiction book, The Sea Hunters, Clive Cussler returns with his legendary fictional hero Dirk Pitt" - in a masterfully crafted tale of villainy on the high seas and the Mississippi River that can only enhance his status as the grand master of adventure fiction. The coin of the realm for the wealthy, insatiably greedy Chinese smuggler who is Dirk Pitt's adversary in Flood Tide is human lives: much of his vast fortune has been made smuggling Chinese immigrants into countries around the globe, including the United States. Tracking the smuggler's activities leads Pitt from Washington State to Louisiana, where his quarry is constructing a huge shipping port in the middle of nowhere. Why has he chosen this unlikely location? The trail then leads to the race to find the site of the mysterious sinking of the ship that Chiang Kai-shek filled with treasure when he fled China in 1949, including the legendary boxes containing the bones of Peking Man that had vanished at the beginning of World War 1. As Pitt prepares for a final showdown, he is faced with the most formidable foe he has ever encountered. With a dozen consecutive New York Times bestsellers and over 70 million copies of his books in print, Clive Cussler is one of America's most popular novelists. His latest book is enthralling, intricately plotted, and supremely suspenseful.

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4.4/5

The Mysteries of Algiers by Robert Irwin

In 1959 in Algiers, city of intrigue and disguises, the French settlers are making a last stand against the FLN liberation army. For Philippe, a desert intelligence officer, survival means knowing the mind of the enemy. But who is the enemy? How to find him? Entertaining and very nasty, this calculatedly intellectual comedy succeeds well as an unheroic quest starring Philip In 1959 in Algiers, city of intrigue and disguises, the French settlers are making a last stand against the FLN liberation army. For Philippe, a desert intelligence officer, survival means knowing the mind of the enemy. But who is the enemy? How to find him? Entertaining and very nasty, this calculatedly intellectual comedy succeeds well as an unheroic quest starring Philippe, an interesting monster of disarming honesty - The Listener It is a gruesome black comedy, whose blackness is so intense as to be almost unreadable - if it weren't so well written. - Time Out In a plot which snakes and twists, the reader cannot risk letting his concentration drop for a moment... At times the death-defying narrow escapes are firmly in the tradition of James Bond...as well as being a rattling good yarn, this is a study of moral bankruptcy of those who pursue abstractions through violence...very successful. - Times Literary Supplement What separates Irwin's story from the usual spy thrillers is not only his wit and satire but also his verbal pyrotechnics. - The Washington Post

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4/5

The Rabbi's Cat by Joann Sfar , Alexis Siegel (Translator) , Anjali Singh (Translator)

The preeminent work by one of France’s most celebrated young comic artists, The Rabbi’s Cat tells the wholly unique story of a rabbi, his daughter, and their talking cat — a philosopher brimming with scathing humor and surprising tenderness. In Algeria in the 1930s, a cat belonging to a widowed rabbi and his beautiful daughter, Zlabya, eats the family parrot and gains the a The preeminent work by one of France’s most celebrated young comic artists, The Rabbi’s Cat tells the wholly unique story of a rabbi, his daughter, and their talking cat — a philosopher brimming with scathing humor and surprising tenderness. In Algeria in the 1930s, a cat belonging to a widowed rabbi and his beautiful daughter, Zlabya, eats the family parrot and gains the ability to speak. To his master’s consternation, the cat immediately begins to tell lies (the first being that he didn’t eat the parrot). The rabbi vows to educate him in the ways of the Torah, while the cat insists on studying the kabbalah and having a Bar Mitzvah. They consult the rabbi’s rabbi, who maintains that a cat can’t be Jewish — but the cat, as always, knows better. Zlabya falls in love with a dashing young rabbi from Paris, and soon master and cat, having overcome their shared self-pity and jealousy, are accompanying the newlyweds to France to meet Zlabya’s cosmopolitan in-laws. Full of drama and adventure, their trip invites countless opportunities for the rabbi and his cat to grapple with all the important — and trivial — details of life. Rich with the colors, textures, and flavors of Algeria’s Jewish community, The Rabbi’s Cat brings a lost world vibrantly to life — a time and place where Jews and Arabs coexisted — and peoples it with endearing and thoroughly human characters, and one truly unforgettable cat.

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4.9/5

Dead Man's Share: An Inspector Llob Mystery by Yasmina Khadra

Superintendent Brahim Llob is bored. Nothing seems to need his attention in an unusually peaceful Algiers. Then suddenly, peace is shattered in ways Llob could never have imagined. His subordinate, Lieutenant Lino, falls for an entirely unsuitable woman, and is devastated when she returns to a previous lover, the wealthy and influential Haj Thobane. Thobane survives an att Superintendent Brahim Llob is bored. Nothing seems to need his attention in an unusually peaceful Algiers. Then suddenly, peace is shattered in ways Llob could never have imagined. His subordinate, Lieutenant Lino, falls for an entirely unsuitable woman, and is devastated when she returns to a previous lover, the wealthy and influential Haj Thobane. Thobane survives an attempted murder that kills his chauffeur and Lino's gun is found at the scene. With Lino languishing in prison, it is up to Llob to face down the corrupt echelons of the Algerian government to find the truth about what happened the night of the murder. The search will take the world-weary Llob down avenues even he has never encountered and will force him to delve into his beloved country's brutal past.

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5/5

The Myth of Sisyphus and Other Essays by Albert Camus , Justin O'Brien (Translator)

One of the most influential works of this century, this is a crucial exposition of existentialist thought. Influenced by works such as Don Juan, and the novels of Kafka, these essays begin with a meditation on suicide: the question of living or not living in an absurd universe devoid of order or meaning. With lyric eloquence, Camus posits a way out of despair, reaffirming One of the most influential works of this century, this is a crucial exposition of existentialist thought. Influenced by works such as Don Juan, and the novels of Kafka, these essays begin with a meditation on suicide: the question of living or not living in an absurd universe devoid of order or meaning. With lyric eloquence, Camus posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

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